Dan Newton (“Daddy Squeeze”) has been playing offbeat accordion music since 1987, when he won the Nebraska State Accordion Contest at the Czech Festival in Wilber, Nebraska. He has used the squeeze box for playing all kinds of music not normally associated with free-reed instruments, as well as standard accordion material. Daddy Squeeze also enjoys mixing up styles and genres that don’t generally seem compatible. “Music out of context” is the result of his genre-bending experiments with Celtic, Tex-Mex, Creole, Blues, Jazz, Scandinavian, Polka and pop music.
Dan’s fresh approach to the much-maligned squeeze-box and his mind-boggling repertoire of both original and traditional material will change the mind of the most hardened accordion skeptic, and delight the fan of the instrument. He draws influences for songs and tunes from such sources as French Musette, Gypsy Swing, Cajun, Jug band, Tex-Mex and Cumbia. Dan calls this global gumbo “ethnoclectic” music. Daddy Squeeze happily crosses musical borders with ease, often mixing styles with results like the “Yohnny B Goode Polka” (what Chuck Berry’s music might sound like had he grown up in Minnesota)or a French language waltz version of the rock and roll chestnut “Wild Thing”. Dan’s original songs about thrift store shopping, coffee, hi-top sneakers, heartbreak, and joy are delivered with a voice that is captivating, expressive and encourages harmonizing. He mines gems from the repertoires of icons such as Gus Viseur, Gus Cannon, Bo Carter, Jo Privat, Clifton Chenier, Bob Wills as well as a few nuggets written by his friends and fellow musicians of today.